Tory Historian is greatly taken by Niall Ferguson's "Empire - How Britain Made the Modern World" and has already done a posting on the somewhat ramshackle beginning of the Empire. (Interestingly, the American edition's subtitle is different: "The Rise and Demise of the British World Order and Lessons for Global Power".)
Moving along historically, this is what Professor Ferguson has to say at the end of his long chapter, entitled "Why Britain?", a question he does not precisely reply to. "Why", in Tory Historian's opinion is not the same as "how". But the "how" is fascinating.
In 1615 the British Isles had been an economically unremarakbale, politically fractious and strategially second-class entity. Two hundred years later Great Britain has acquired the largest empire the world had ever seen, encompassing forty-three colonies in five continents. The title of Patrick Colquhoun's Treatise on the Wealth, Power and Resources of the British Empire in Every Quarter of the Globe (1814) said it all. They had robbed the Spaniards, copied the Dutch, beaten the French and plundered the Indians. Now they ruled supreme.One could simply assume that late entrants are likely to profit by the mistakes of earlier players as well as their exhaustion, but that would hardly be an adequate explanation for it all.
Was all this done "in a fit of absence of mind"? Plainly not. From the reign of Elizabeth I onwards, there had been a sustained campaign to take over the empires of others.
Yet commerce and conquest by themselves would not have sufficed to achieve this, no matter what the strength of British financial and naval power. There had also to be colonization.
This blog has not been forgotten. It's just that Tory Historian has been living in a series of rushes. There will be postings in a few hours.
… even though it has become very difficult to find copies without pictures of actors either from the 1981 TV series or the recent film on the cover. The film, “Brideshead Revisited”, has had more or less uniformly bad reviews on both sides of the Pond, comparison being made with the TV series that had started the careers of Jeremy Irons, Anthony Andrews and Diana Quick and featured such luminaries as Laurence Olivier, John Gielgud and Claire Bloom. It also featured another talented young actor, Nickolas Grace, but more of him anon.
The TV series is being touted as a gold standard against which the new film is being found wanted. No critic, so far as Tory Historian can make out, has made a reference to the book “Brideshead Revisited”, though Christopher Hitchins had a long article in the Guardian. In it he discussed, with great erudition, Waugh’s language, the Catholic aspects of the novel (Hitchens finds that a tad distasteful) and the significance of the Great War. He clearly finds the film very inferior and damns the TV series with faint praise:
The directors Charles Sturridge and Michael Lindsay-Hogg achieved their 1981 success by gorgeous photography, of course, and also by generally inspired casting. The locations, plainly, required little or no embellishment. And the music was suitably ... well, evocative. But most of all, they were faithful to Evelyn Waugh's beautiful dialogue and cadence, both in set-piece scenes and in sequences of languorous voice-over in Oxford and Venice and - perhaps decisively - in the opening passage, where the melancholic Captain Charles Ryder hears the almost healing word "Brideshead" spoken again: "a name that was so familiar to me, a conjuror's name of such magic power, that, at its ancient sound, the phantoms of those haunted late years began to take flight".In fact they were not as faithful to Evelyn Waugh’s undoubtedly beautiful dialogue as all that, allowing John Mortimer, the scriptwriter a good deal of freedom to write his own additions. Mortimer is a good writer but he is not in the Waugh class and has very different ways of using words and approaching themes. Quite often his additions were very clunky.
But there was gorgeous photography, evocative music, beautiful buidlings and scenery, wonderful clothes. In fact, the whole series concentrated on heritage nostalgia, making the plot and characterization too slow and too sentimental for the book.
The novel itself, underrated when it first appeared and dismissed as one of Waugh’s snobbish works, is now regarded as one of the great novels of the twentieth century, both as a description (not a very flattering one, which is another thing the dramatizers often miss) of a particular world and as a difficult moral fable. The dramatizations make it into a nostalgic romance in much the same way as recent dramatizations of Jane Austen’s novels turned those into Mills and Boon type romances.
Waugh, himself, would not have been surprised at this development. In a way, he predicted it through one of the characters in “Brideshead Revisited”. Anthony Blanche, played by the excellent Nickolas Grace in the TV dramatization but not emphasised nearly enough and, if the reviews are anything to judge by, downgraded quite severely in the film, is one of the most interesting personages in the book.
And I, Tiresias, have foresuffered allIn his notes to the poem Eliot says:
Enacted on this same divan or bed;
Tiresias, although a mere spectator and not indeed a ‘character’, is yet the most important personage in the poem, uniting all the rest. … What Tiresias sees, in fact, is the substance of the poem.Anthony Blanche, in some ways, is the Tiresias of the novel, knowing and observing, and this includes the sexual conundrum: is he male or female, or might he be said to be both? He is, however, clear-sighted in his own, deliberatly absurd fashion, about the Flyte family and about art. Waugh always denied that Blanche was based on the aesthete and art historian Harold Acton, preferring to point to Brian Howard, a less well known and considerably less interesting personality, as the original.
Whatever the truth of that is, it is clear that Anthony Blanche is a true aesthete in the sense of understanding and appreciating art and artistic endeavour. He appears about four times in the book. The first time at Sebastian’s luncheon, where he makes a strong impression on Charles Ryder and recites the Tiresias lines to undergraduates who are off to do a spot of rowing.
Subsequently, he takes Charles out to dinner during which he tells the story of him being debagged by some rowdy undergraduates in excruciating and, probably, inaccurate detail. But, above all, he warns Charles against Sebastian, the Flyte family and, more generally, against “creamy English charm” that suffocates and destroys everything it touches, particularly artistic talent.
Charles is a little afraid of Anthony and disturbed by the remarkably accurate prediction of his own and Sebastian’s behaviour. Sebastian, on the other hand, rather unwisely dismisses Anthony as being a silly show-off.
There is another brief appearance when Blanche tells Charles that he had seen Sebastian in his travels; the latter has become effectively an alcoholic and has acquired a disreputable German companion, whom Charles later meets and dislikes.
The fourth and final appearance of Anthony Blanche is at a crucial moment in Charles Ryder’s life. Having become successful as a painter of country mansions, Charles finds that his talent is stultifying so he goes off to Central America to paint in the jungle. On the way back he meets Julia Flyte, now Mottram, and they begin their affair.
In London Charles exhibits his pictures, which the visitors to the private view find “barbaric” and “unhealthy”. Anthony turns up and carefully examines the paintings then takes Charles off to a louche place we would now call a gay bar and delivers his verdict. Charles Ryder the artist has been destroyed. His new paintings are nothing but “charm again, my dear, simple creamy English charm, playing tigers”.
His final comment before he dismisses Charles is quite chilling but appropriate to the dramatizations:
I took you out to dinner to warn you of charm. I warned you expressly and in great detail about the Flyte family. Charm is the great English blight. It does not exist outside these damp islands. It spots and kills anything it touches. It kills love, it kills art; I greatly fear, my dear Charles, it has killed you.The rest of the novel unfolds, mostly at Brideshead, around Charles’s affair with Julia and the rest of the surviving Flyte family to the dramatic high point of Lord Marchmain’s death and the consequent collapse of what was not perhaps the great love that Charles had imagined. There is no more mention of his work as an artist, though, presumably, he continues to paint.
The TV dramatization and, by all accounts, the film even more so prove Anthony Blanche’s point. That creamy charm has spotted and killed the great novel that Evelyn Waugh had written, at any rate for most people, and, it would seem, most critics. For many of us, though, the novel will remain and will overcome the blight. Well, one can hope.
Tory Historian has launched into Niall Ferguson’s highly praised “Empire” and found a fascinating analysis of how the British Empire began. Of course, the role of the privateers (pirates as far as the Spanish and the Portuguese were concerned) is well known.
English and Scottish explorers arrived in the New World a little late and could not find what they wanted – large amounts of gold that was enriching the King of Spain. Therefore, they acquired riches by raiding the Spanish and Portuguese ships and settlements, causing periodic small wars in Central and Southern America as well as the various islands.
On the other hand, it was a cheap way of finding new lands and of fighting the Spanish who had become a direct threat to England under Elizabeth. Send the ships out and let them earn their own keep. If they returned with gold and pearls a percentage went to the Queen. If not, they could take their chances.
The privateer (or pirate) Professor Ferguson spends some time on is the infamous Captain Henry Morgan who tried to terrorize Spanish settlements in present-day Cuba, Panama and a few other places. As Professor Ferguson points out:
The scale of such operations should not be exaggerated. Often the vessels involved were little more than rowing boats; the biggest ship Morgan had at his disposal in 1668 was no more than fifty feet long and had just eight guns. At most, they were disruptive to Spanish commerce. Yet they made him a rich man.The real point of interest is what Captain Morgan did with his money. He claimed to be a “gentleman’s son of good quality” from Monmouthshire. This was disputed by some and a Frenchman, Exquemlin, who had probably taken part in some of the raids, wrote an account of Captain Morgan’s career, in which he implied that the man had arrived in the Caribbean as an indentured servant. The book was published first in Dutch, then in English.
This, Captain Morgan felt, was an insult to him, though he did not mind the descriptions of what he and his men did during those raids. When “The History of the Bucaniers” came out in England, the good captain sued the publisher and was awarded £200. Subsequent editions of the book had to be amended. It just goes to show that libel tourism has a longer history than any of us knew.
Well, what did he do with his ill-gotten gains?
He invested in Jamaican rreal estate, acquiring 836 acres of land in the Rio Minho valley (Morgan’s Valley today). Later, he added 4,000 acres in the parish of St Elizabeth. The point about this land was that it was ideal for growing sugar cane. And this provides the key to a more general change in the nature of British overseas expansion. The Empire had begun with the stealing of gold; it progressed with the cultivation of sugar.The sugar duties brought the Crown substantial earnings and Jamaica became a prime economic asset that had to be defended. Fortifications were built to protect the harbour at Port Royal.
Significantly, the construction work at Port Royal was supervised by none other than Henry Morgan – now Sir Henry. Just a few years after his pirate raid on Gran Grenada, Morgan was now not merely a substantial planter, but also Vice-Admiral, Commandant of the Port Royal Regiment, Judge of the Admiralty Court, Justice of the peace and even Acting Governor of Jamaica.And so the greatest Empire the world has ever known began in this rather ramshackle fashion.
Once a licensed pirate, the freelance was now being employed to govern a colony. Admittedly, Morgan lost all his official posts in 1681, after making “repeated divers extravagant expressions …. in his wine. But this was an honourable retirement. When he died in August 1688 the ships in Port Royal harbour took turns to fire twenty-two gun salutes.
Last Tuesday saw the seventieth anniversary of Neville Chamberlain’s return from the Berchtersgarten negotiations with the infamous “piece of paper” in his hands. A good deal of ink has been spent over the years in discussions of the Munich agreement with surprisingly little in the way of new thinking rather than repetition of the old myth, started by Churchill, who was quite conscious of doing “poor old Neville” down and by the Labour Party in its dishonest “guilty men” campaign of 1945.
It is a little unfortunate that so many of today’s historians and writers are prepared to go along with that. Robert Self’s excellent biography that came out in 2006 does not seem to have challenged those widespread assumptions.
Let us be reasonable. In the autumn of 1938 neither Britain nor France was in a position to go to war with Germany. France was not in a position to do so even in 1939 – 40 and Britain did not exactly perform well in the first months of the war. Those who maintain that Chamberlain should have resisted Hitler, if necessary by declaring war, do not give any clear ideas as to what the country could have done, particularly as at that stage the Empire and the Dominions would not have given their support.
So, in reality, Chamberlain ensured that Britain did not lose the war against Germany and was much better equipped to fight when the inevitable time for it came. Tory Historian has to disagree with the great Andrew Roberts, who wrote in his article in the Daily Telegraph that
Although the Chamberlain Government had allowed Czechoslovakia to be abandoned and dismembered by the Munich agreement, it had (unwittingly, since Chamberlain had trusted Hitler) bought Britain and her Commonwealth nearly a year which they used to rearm.Rearmament had been going on for some time and Chamberlain was not so trusting of Hitler as to abandon it. Indeed, he remained proud even after his resignation from the premiership right up to his death soon after it that he had helped to make Britain more capable of fighting the war and, certainly, defending herself. There was nothing unwitting about that. Avoiding or, more likely, postponing war seemed like a good idea.
Two questions are of particular interest. One is how is it that Munich has become such a word of shame when, for example, Yalta, a far greater betrayal of allies who had fought with Britain and the United States, is usually cited as an example of statesmanly conduct on the part of the two Western leaders. (The role of Soviet agents like Alger Hiss, in the background, is rarely mentioned.)
People who urge appeasement at every possible opportunity still fulminate when the word Munich is mentioned and weep crocodile tears over the unfortunate Czechs, without once explaining what exactly Britain could have done in practical terms in 1938.
The other rarely asked question is what would have happened if the Czechoslovak armed forces had resisted the German invasion of Sudetenland in 1938. After all, whatever one may think about French or British obligations, surely the obligations of President Beneš’s government to defend their country were far greater. Yet they refused to give the order, preferring to blame the western powers for the greatest betrayal history had ever known.
Could they have fought with any possibility of success? Most assuredly. In their 1997 biography of Edvard Beneš the Czech historians Zbynĕk Zeman and Antonín Klimek wrote:
The prospect of going to war with Germany came as no surprise to the Czechoslovak government of the 1930s. Prague had, in fact, been preparing for war seriously for years: by some estimates, over half of all government spending from 1936 to 1938 was for military purposes. Much of this went towards the construction of an elaborate system of bunkers and other defences in the Sudetenland, the border region shared with Germany.Furthermore, it has been estimated that there were 200 fortified artillery batteries and 7,000 bunkers along the border. The Czechoslovak army was the third largest in Europe and a few days before the Munich Agreement 1.5 million people had been mobilized. The German mobilization of August 1938 resulted in 2 million people. In other words, this was not a titchy, badly prepared little force facing up to the might of Germany (at that time somewhat overestimated by Britain and France).
The Wikipedia entry on the occupation of Czechoslovakia says, for once reasonably accurately:
Czechoslovakia was a major manufacturer of machine guns, tanks, and artillery, and a highly modernized army. Many of these factories continued to produce Czech designs until factories were converted for German designs. Czechoslovakia also had other major manufacturing concerns. Entire steel and chemical factories were moved from Czechoslovakia and reassembled in Linz, Austria which, incidentally, remains a heavily industrialized sector of the country.Given that the less well armed, Polish army that was relying on a smaller industrial base and was also attacked by the Soviet army simultaneously with the German one managed to inflict a great deal of damage on the Wehrmacht in 1939, the Czechoslovak forces might well have tied up the German for a considerable length of time, making Hitler’s claim to the inevitability of victory seem hollow. Yet the order to fight never came and the mobilized men went home.
Undoubtedly, this caused anguish in the way Czechs viewed their multinational country and their government. The myth of the supreme treachery of Munich may well have buried some of those feelings but they do surface from time to time.
In the meantime, it might be a good idea for us to rethink our conventional wisdom.
Tory Historian finds that re-reading George Orwell's essays is a remarkably useful exercise as one always finds something new and something appropriate. It is also interesting to look out for Orwell's weak points in politics and literature.
Writing about propaganda, for instance, he rightly compares Soviet films about the Civil War in which the evil Whites are vanquished by the heroic Reds after a great deal of fighting and with many losses with Hollywood films where similar scenarios are played out on the opposite side. However, the films with heroic Reds, in Orwell's opinion, are more useful in the long run than the ones with heroic Whites. Admittedly, this was written before he recognized fully the evil of Communism but he remained a man of the left.
The essay that Tory Historian concentrated on this time was "Notes on Nationalism", written in 1945 and an excellent analysis of the intelligentsia and its political attitudes before and during the Second World War.
The whole piece is worth reading but here are two quotations that remain relevant:
It is curious to reflect that out of all "experts" of all the schools, there was not a single one who was able to foresee so likely an event as the Russo-German pact of 1939. [It is worth adding that Orwell always referred to Russia when he meant the Soviet Union and, also, that, as he himself acknowledges in a footnote, some conservative writers, such as Peter Drucker, did realize that there would be some kind of an alliance.] And when the news of the Pact broke, the most wildly divergent explanations of it were given, and predictions were made which were falsified almost immediately, being based in nearly every case not on a study of probabilities but on a desire to make the U.S.S.R. seem good or bad, strong or weak.The other quotation Tory Historian found particularly apt comes from the same essay in the discussion of political Catholicism, the precursor of Communism as the intelligentsia's nationalism of choice.
Political or military commentators, like astrologers, can survive almost any mistake, because their more devoted followers do not look to them for an appraisal of the facts but for the stimulation of nationalistitc loyalties.
Writing about G. K. Chesterton's later work Orwell points out that it consisted almost entirely of loud statements that demonstrated "beyond possibility of mistake the superiority of the Catholic over the Protestant or the pagan".
This was not enough:
But Chesterton was not content to think of his superiority as merely intellectual or spiritual: it had to be translated into terms of national prestige and military power, which entailed an ignorant idealization of the Lating countries, especially France. Chesterton had not lived long in France, and his picture of it - as a land of Catholic peasants incessantly singing the Marseillaise over glasses of red wine - had about as much relation to reality as Chu Chin Chow has to everyday life in Baghdad.One can argue about the literary merits of Chesterton's poems (Orwell is falling into the trap he so clearly describes of dismissing the literary merits of a work with which he disagrees) and, undoubtedly, Tennyson's can be used for pacifist arguments but the main argument remains as valid as ever.
And with this went not only an enormous overestimation of French military power (both before and after 1914 - 1918 he maintained that France, by itself, was stronger than Germany), but a silly and vulager glorification of the actual process of war. Chesterton's battle poems, such as Lepanto or The Ballad of Saint Barbara, make The Charge of the Light Brigade read like a pacifist tract:
they are perhas the most tawdry bits of bombast to be found in our language.
The interesting thing is that had the romantic rubbish which he habitually wrote about France and the French army been written by somebody else about Britain and the British army, he would have been the first to jeer.
In home politics he was a little Englander, a true hater of jiongoism and imperialism, and according to his lights a true friend of democracy. Yet when he looked outwards into the international field, he could forsake his principles without even noticing that he was doing so.
Thus, his almost mysical belief in the virtues of democracy did not prevent him from admiring Mussolini. Mussolini had destroyed the reperesentative government and the freedom of the Press for which Chesterton had struggled so hard at home, but Mussolini was an Italian and had made Italy strong, and that settled the matter.
There was nothing new about this curious juxtaposition of ideas. The crusading left-wing journalist W. T. Stead was also one of the strongest supporters of Alexander III's authoritarian regime in Russia. Nor has anything much changed. We know about the left-wing support for every kind of oppressive and totalitarian regime in the twentieth and twenty-first century. But less has been said about people, on the left and on the right, who while arguing for democracy and national sovereignty as far as Britain is concerned, also support certain Russian and Balkan leaders whose views and behaviour are the very antithesis of that. Chesterton's spirit hovers over them all.
Tory Historian found another interesting mini-exhibition at the National Portrait Gallery, this time a collection of drawings and prints by Richard George Mathews. In the introduction to the exhibition there is an unnecessarily snide comment about the pictures being of idle Edwardians who seemed to find a great deal of pleasure in just travelling.
As the drawings are of writers like Kipling, Hardy and Jerome K. Jerome, of the Manager of the Times newspaper, Charles Moberley Bell and of various actor-managers, idleness is not quite the word that immediately springs to mind.
The most interesting of the portraits is of Henry Algernon George Percy, Earl Percy (1871 – 1909), a man so well-known in his time, that in 1908 when the drawing was published in The Bystander, the title of it was “A Future Tory Leader”. A year later he was dead and how many people have even heard of him today?
Ever curious about past grandees, Tory Historian looked around, found a very inadequate piece on Wikipedia, which did, however, refer to the intriguing story of death being the result of a duel, and turned to the Oxford Dictionary of Biography and the Dictionary of National Biography.
True or otherwise, the official story of Earl Percy catching a chill in Paris and dying of it does irresistibly remind one of the unfortunate end of Ernest Worthing, Jack Worthing's mythical and wicked younger brother, in Oscar Wilde’s “The Importance of Being Earnest”. In actual fact, Earl Percy was, if anything, more like the main character of “An Ideal Husband” without the unfortunate secret in the past.
Henry Percy was the eldest son of the 7th Duke of Northumberland but died too young to inherit the title. He seems to have done extraordinarily well at school and university, winning the 1892 Newdigate Prize for English Verse at Oxford. The slightly unusual subject he chose was St Francis of Assisi.
In 1895 he won a by-election at South Kensington and continued to represent that constituency until his death. Another important event of that year was his first visit to Turkey and the Near East. He went back in 1897 and published “Notes of a Diary in Asiatic Turkey” the following year.
His 1899 visit produced “The Highlands of Asiatic Turkey” in 1901. Earl Percy became known as an expert on the Near East and was made Parliamentary Under-Secretary for India in 1902 but really came into his own and Under-Secretary to Lord Lansdowne, the Foreign Secretary, in 1903. He specialized in matters to do with Turkey and often took an independent line from his superior and the government in general.
For instance, Earl Percy promoted the idea of an Anglo-German alliance that would stabilize Turkey and stem growing Russian influence. One can’t help wondering how the twentieth century would have developed if that idea had been followed instead of the later, liberal Entente Cordiale of 1904 and Anglo-Russian Convention of 1907.
Earl Percy was accused of having “perhaps excessive sympathy for Turkey”, an unpopular point of view by the time of the early twentieth century, though it might have been better received by Disraeli. He also showed himself to be rather concerned with the political position of Muslims in India as the discussions on possible reforms progressed in 1906 – 1907.
Another of his important political achievements was the renewal and strengthening of the Anglo-Japanese alliance of 1905.
One can quite see why in an age when foreign policy mattered a great deal to a government, a man like Earl Percy would have been seen as a potential leader. An untimely death meant not just the end of his career (which would be obvious) but his disappearance from the history of the Conservative Party. One cannot help wanting to know about more “lost leaders” like Earl Percy.
More from Diane Urquhart's book on the formidable Londonderry ladies. This quote is singularly relevant to certain developments in the American presidential election, where the "second-wave feminists" have found themselves on the back foot:
There is no question that the marchionesses formed part of a small coterie of political confidantes and hosteses who worked by distinctly personal means in high society to promote their family, direct careers and impact change while their marriage and widowhood would respectively facilitate and impede their political influence.Actually, that "second-wave feminism" borrowed the idea from the Marxists.
Indeed, the idea of the personal being political, brought to the public's attention by the second-wave feminism of 1960s America, can be applied to a different place and a different time: in this instance to nineteenth and early twentieth century Britain and Ireland.
The glamour of the Duchess of Devonshire has eclipsed a very important historical fact. She was not the only lady to have become involved in politics long before female suffrage had become a political fact. Nor were the Whigs the only ones to have powerful and influential political hostesses.
Tory Historian is reading Diane Urquhart's "The Ladies of Londonderry", a history of that powerful family through the distaff side. The book follows the story for 150 years, from 1800 to 1959, by which time the role of the political hostess had diminished though had not disappeared completely.
With women entering politics directly and, as it turned out, ready to rise to the very top, back-stage management seemed to be a little less important. Further reports of the book will follow.
The Rosenbergs were really spies? Well, colour me surprised, as they say on the other side of the Pond. It seems that Morton Sobell, who was convicted of espionage with the notorious pair, has now admitted that yes, indeed, he and Julius Rosenberg with the help of his wife Ethel, spied for the Soviet Union.
As it happens, the Venona documents and more recent finds in the KGB archives before they were closed to the public again have shown some time ago that there was not the slightest doubt on the subject. But, as the Rosenbergs have been a cause célébre for the left during the last fifty odd years, it is all a surprise. Whatever next? Alger Hiss was really a GRU agent? Surely not!
A phone call from the Birmingham Council Leader’s office alerted me to the fact that this is not the first time the Conservative Party has decided to hold its annual conference in Birmingham. The Tory Council Leader wanted to know exactly when and in what circumstances did the previous events take place.
Well, naturally, my first port of call was John Barnes, who is a mine of information about the Conservative Party and its history. He knew, of course, and directed me to the books that could give me more information. Quite a story it is, too, as I put it together, using Andrew Roberts’s biography of Lord Salisbury, Robert Rhodes James’s biography of Lord Randolph Churchill and Richard Shannon’s “The Age of Salisbury”. Oh and a quick look at R. J. Q. Adams’s “Balfour”.
The story is quite fascinating and puts to pay the notion that somehow politics was a much more gentlemanly affair when it was run by “gentlemen”. The Salisbury/Northcote fight with Churchill was anything but gentlemanly. In the end, Churchill lost not because he was a nicer person but because, seduced by apparent party adulation, he could not envisage anybody outmanoeuvring him as Salisbury did. Lord Randolph Churchill, it seems, believed that he was indispensable – the most dangerous delusion any politician can have.
The National Union of Conservative Associations was founded in 1867 and held its first meeting in the Freemasons’ Tavern in London on November 12 of that year. In 1868 they went to Birmingham and there were 7 people in attendance. By 1869, in Liverpool there were 36 delegates. And so it would have continued but for the disastrous Conservative defeat in 1880. As Robert Rhodes James puts it in his biography of Lord Randolph:
It is a monotonous feature of English politics that the defeated party in an election blames its organization for the débâcle. The Conservatives in 1880 were no exception to this rule.So they formed a Central Committee under Lord Beaconsfield’s auspices and this organization was put in charge of direction and management of party affairs, as well as the disbursement of party funds. Clearly, this did not please the National Union, who considered themselves to be the representatives of the real Conservative Party.
The real difficulty (and I hope people who know far more about Conservative Party politics will wade in here) is to work out what motivated Lord Randolph Churchill. He presented himself as the man who spoke for Tory democracy, for the working class members of the party, for all the various constituent groups against the “Carlton Club” elite, who wanted to run things the old way. (By the way, the forthcoming issue of the Conservative History Journal will have an article on the Carlton Club by the eminent expert Alistair Cooke.)
The idea of Lord Randolph as a representative of the working man or of anything resembling real democracy is slightly odd and one cannot help thinking that he viewed the National Union as a convenient ladder for his own advancement to the leadership, something that he most definitely desired, his rebellious attitude notwithstanding.
In 1882 the National Union began to articulate complaints about its inferior status in the party’s structure and in July 1883 Churchill was elected to its Council with the help of the Chairman’s casting vote. The Chairman was Lord Percy. There were several resignations, including that of Sir Stafford Northcote and Henry de Worms.
We come to the great Birmingham Conference of the National Union, the 17th, held in October 1883, when Lord Randolph Churchill, with the aid of fellow “Fourth Party” member, John Gorst, made his first serious attempt to take over the party.
The leadership sent Viscount Cranbrook to deal with the attack and, according to Richard Shannon, he did it rather well. Responding to Churchill’s fiery speech that accused the Central Committee of being inward looking and hostile to “working men” in the party as well as of financial mismanagement, Cranbrook raised the question of whom the National Union really represented – the constituencies or the affiliated organizations. He also denied any financial mismanagement and, it seems, that Churchill and his allies never managed to prove that. On the other hand, they did point out that the National Union had no funds to speak of.
In his diary Cranbrook referred to “Randolph Churchill’s Birmingham intrigues”, which is what it looked like to the Conservative leadership. The membership was more divided in its opinion. (In parenthesis one may render thanks for the fact that so many British politicians, however busy they may have been, kept consistent and detailed diaries. This is a fascinating subject all by itself that needs to be written about more.)
In December of that year Churchill became Chairman of the National Union’s Organisation Committee, though the method used was rather dubious, as it ought to have been Lord Percy and this may well have alienated some potential supporters.
Lord Randolph’s exemplar was Joseph Chamberlain’s National Liberal Foundation, which was prospering at this time to the point of taking over the party. Coincidentally, of course, Birmingham was Chamberlain’s power base.
Subsequent manoeuvrings, snipings and open warfare between Salisbury with his allies and Churchill with his allies did culminate in some sort of a compromise, under which the latter went through various ministerial appointments, once there was a Conservative government, ending with the Chancellorship.
In December 1886 Churchill over-reached himself and using a disagreement over proposed army and navy spending, offered his resignation, probably not anticipating its acceptance. Famously, he had forgotten about Goschen, who took over as Chancellor, though he was a Liberal Unionist.
That is not how it was supposed to develop from that Annual Conference in Birmingham in 1883.
Tory Historian was somewhat underwhelmed by the news that Keira Knightley, one of our least talented young film actresses was going to play the notorious Duchess of Devonshire in a new film, directed by Saul Dibb, whose claim to cinematic fame (if that is what one means) is the 2004 “Bullet Boy”, which somehow escaped Tory Historian’s attention. Apparently it was another gritty, hard-hitting picture of ghetto youth in the East End. It may have been good but it may also have been extremely bad. Either way, it says little about Mr Dibb’s ability to understand history.
Naturally, Tory Historian is not a great fan of the duchess in question, a great Whig hostess and politician manqué. It would seem from the reviews and previews that Mr Dibb has little understanding of the duchess’s importance in history and, indeed, of the entire historical period. Instead, he has produced a film that purports to be the story of Diana, Princess of Wales in beautiful eighteenth century costume.
This is rather a shame because Amanda Foreman’s biography, “Georgiana”, on which the film is supposed to be based, was an extremely readable and well-researched book, even if the author seemed to accept that the Whigs were somehow speaking for the people and in favour of democracy, both notions somewhat anachronistic. She does not make much of it but it keeps bubbling up. Interestingly, Dr Foreman has complained about the Diana link but that has not stopped her from trying to cash in on what she must, presumably see, as a potentially very successful film.
The film, based on reviews and previews, seems to concentrate on the duke’s long-standing affair with the duchess’s friend, Lady Elizabeth Foster and then throws in the duchess’s late and somewhat catastrophic affair with Lord Grey. (Yes, he of the Reform Act in his younger incarnation. Tory Historian was stunned.)
Charles James Fox does get a look-in but nothing seems to be made of Georgiana’s involvement in politics, or of either the American or, more importantly, the French Revolution. One wonders how they deal with the insistent theory that she and Fox had an affair.What is particularly ridiculous is the repeated reference to the “disturbed” and “unhappy” duchess, just like Diana. Even allowing for the fact that the ultra-skinny and expressionless Keira Knightley can play only disturbed and unhappy (did she bother to look at those wonderful portraits of the duchess, one wonders) this seems a daft way to talk.
There is no evidence for disturbance or unhappiness, except on occasion. Yes, her marriage was arranged and she was very young. That was the normal state of affairs in her circle and she married up, becoming the holder of a very grand title and enormous wealth. Was the marriage happy? Probably not but there was no expectation of that.
There is no evidence that Georgiana did not fit in very well with the rather dissolute Devonshire House way of life, doing what other ladies of her station in life did: spend a great deal of money on clothes and entertainment, drink and gamble, play politics and travel. How is any of that rebellious or going against what society expected from her?
Her involvement in Whig politics brought all sorts of rather brutal attacks in the Tory press, just as the Whig press attacked brutally ladies who were involved on the other side. Those were not sensitive days.
Her affair with Grey ended badly because she had a child (very bad luck) and her husband refused to have anything to do with her bastard while his own were brought up in the household. This was not necessarily the pattern with all such families so one can feel some compassion. Even more compassion goes out to the duchess because of the painful and disfiguring disease that she suffered from for some years afterwards but it is not clear whether the film deals with that.
Of course, historical films are rarely accurate and often use their theme to comment on other matters. Carol Reed’s “The Young Mr Pitt” simplified a complex biography and emphasised the theme of beleaguered Britain fighting an aggressive Continental empire. It was made during the Second World War, after all.What is the aim of “Duchess”? Diana is hardly a figure of importance more than ten years after her death, though the sentimentalization of all things public, which many call dianafication is still with us. That has more to do with other people’s attitudes than with her own rather nebulous personality.
Why not try to make a good film out of the Duchess of Devonshire’s spectacularly interesting life story that would not make her into a victim of society and would include all the really scandalous aspects of her life (and her sister’s, the Countess of Bessborough)? Of course, one would have to have someone else play her. Someone who could act and make an attempt to resemble the original.
While looking up something in Andrew Roberts's outstanding biography of the 3rd Marquess of Salisbury, Tory Historian came across the following paragraph, which raises a number of interesting points about the role and duty of MPs:
When Lord Randolph Churchill emerged as the leader of the movement for Party democracy in 1883 and 1884, Salisbury set his face against anything that he considered liable to fetter the complete independence of parliamentarians, as famously enunciated in Edmund Burke's 1774 address to the electors of Bristol. He was not about to allow parliamentary sovereignty to be circumscribed by caucuses of Party bureaucrats, let alone rank-and-file Party members.It is an interesting and unexpected use of the term parliamentary sovereignty, which is not usually applied to the relationship between MPs and other party members.
Control of Parties from outside Parliament both seemed to Salisbury impractical as it could not take into account the fast-moving mood swings of the Commons chamber, and repugnant in a Constitution in which an MP was expected to represent his whole constitutency, not just that part of it which voted for him.
There were, therefore, philosophical as well as practical considerations why Salisbury and Churchill were set upon a collision course.
There are also other issues. Edmund Burke was talking about whether MPs should represent their constituents' wishes or vote according to their conscience and view of what was best for the country. But, undoubtedly, it is important to recall that an MP must, if he or, these days, she is to represent directly the constituents, it must be all of them. Then again, should the said MP remain in thrall to those constituents, anyway? Probably, if a re-election is sought, but that is a somewhat cynical point of view.
Of greater interest is the role of the leaders of the party in parliament, who, also want to control MPs. What should their role be? Tory Historian can probably guess what the great marquess would have said but the whole issue remains unresolved with different groups emerging victorious at different times.
Well, experimental it may be but the theme is not far off what this blog is about, which gives Tory Historian a good deal of leeway.
Wandering round the British Museum, Tory Historian decided to take photographs of two of the choicest exhibits in one of the Greek galleries. One is of the face of the Kouros, the young boy, that is probably from the 6th century BC, when, as the notice said, "when the conventional smile was replaced by a solemn pout, the facial expression of classical sculpture". Does one get the feeling that the curator is fonder of Archaic Greek sculptures than of classical ones?
On this figure, though, the enigmatic smile is still present.
The other picture is of one of the earliest Greek bronzes, from the 5th century BC and probably from Cyprus, the head of Apollo. Tory Historian decided to take the picture in profile for no particular reason (not being a particularly artsy photographer). For all of that, the amateur photo seems to have more life than the official one on the BM page. Can't understand it. Normally they are much better.
Yesterday, when it was not raining, Tory Historian attended a garden party in Oxford. Well, what else does one do in Oxford? This was an unusually mixed party with guests from many different parts of the world and even different parts of Oxford easily chatting with each other. Those who know the city well will not be surprised to hear that the party was not in that stronghold of academic residence, North Oxford.
Tory Historian spent a long time talking to a Serbian lady, who teaches English in Belgrade and comes to England once a year or so. She spent the war of the nineties in that city and was, together with her family, part of the ten per cent, as he estimates it, who were against Milosevic and his wars with the other states of former Yugoslavia. They did not even object to the final act, the bombing of Belgrade because, as her father had put it, Serbia had to learn a lesson.
Anybody who thinks this smacks of treason might like to contemplate what Germans, who had opposed the Nazi regime, its wars and the support it had from ordinary people, may have thought during allied bombing.
However, what Tory Historian found particularly interesting was the story of the Serbian lady becoming vegetarian – not a common phenomenon in the Balkans or Eastern Europe. It was precisely because of that she had decided to stop eating meat and fish, however hard that made her life. This made her different, roused suspicion in her interlocutors (you are not Orthodox, they would say) and allowed her to start discussions on politics and express her opinions. Rather a courageous move that puts the activity of our own vegetarians into perspective.
Interestingly enough, as Tory Historian mentioned in the ensuing conversation, vegetarianism in history has always been viewed as rather a subversive form of living, ever since the days of Pythagoras, who is alleged to have been murdered with his disciples by rebels in Croton. Of course, that may have been simply because they were seriously fed up with having to study that theorem.
Colin Spencer, in many ways a very eccentric writer and journalist, did produce a fascinating history of vegetarianism, in which he explored the relationship between it and social subversiveness at length.
It is always nice to find something unexpected like the Canadian Conservative Forum. Apart from anything else, it has lots of excellent conservative quotations, some from Canadians, some from others.
Here is a very good comment by the writer, critic and journalist Robert Fulford:
Civilization begins with the consciousness of memory; it begins when we decide we must maintain a spoken, drawn or written account of who we are, what we have done, and why we did it. Conversely, when we abandon this enterprise, or neglect it, or wilfully distort it for the political needs of the moment, we grow less civilized. A society loses its way when it loses secure connections with the past. That possibility is one of the dangers facing us during this historic period.A quick look at his biography on Wikipedia shows that he is a journalist of the old school - started at the bottom on leaving school and no degrees in media studies. He has been described as being on the conservative end of the liberal spectrum but judging by some of his political positions, he is considerably to the right of that.
We are not likely to forget this year of all years the "assistance" Soviet troops insisted on rendering to Czechoslovakia forty years ago today. Here is the BBC story. At least, there is no longer any pretence that anyone in Georgia asked for assistance though, of course, there was that story of "genocide" in South Ossetia, since disproved by all, even Russian sources.
This is a blog on history, so let's stick to history but forty years is not such a long span of time.
Yesterday was the anniversary of the birth of one of the most prolific writers of excellent popular fiction, of which Tory Historian approves, as readers would have realized. Georgette Heyer, whose fan club maintains a very elegant website, was born on August 16, 1902 in Wimbledon, which is somehow appropriate.
She died, an immensely successful author, on July 4, 1974 in London. Known largely for her Regency novels, she also wrote highly amusing, if somewhat ridiculous detective stories, mostly about Superintendent Hannasyde and Sergeant, later Inspector, Hemingway. There were also other historical novels but these are not so well known. (Wikipedia lists them all.)
The Regency novels are highly entertaining and rely on very accurate information that Georgette Heyer collected assiduously. She was clearly influenced by Jane Austen and, while not being as great a writer as the latter, she is considerably better than most authors of historical romances.
The Regency world of Ms Heyer, a slightly higher one socially than that of Miss Austen, is vivid and is never merely a modern world with a few tushes and gadzookses added to them. In fact, there are very few tushes and no gadzookses at all but the details of dress, habit, behaviour, food and so on are accurate as anyone who reads contemporary accounts and diaries can see. Even professional historians have been known to recommend Ms Heyer's romances.
Her detective stories, while mostly very silly and never as popular as the romances, also give a clear picture of the upper middle class and middle class world of England some years before and some years after the Second World War. In her descriptions of post-war England she shows herself to be considerably more accurate than the more highly regarded but hopelessly outdated and nostalgic Margery Allingham and Ngaio Marsh.
Tory Historian finds it particularly admirable that Ms Heyer's dating and time scale in the detective stories is always accurate. To prove this, two novels, which have many of the same characters some years apart, are particularly recommended: "They Found Him Dead", published in 1937 and "Duplicate Death", published in 1951.
And we used to be proud of them. Indeed, many an academic on both sides of the Atlantic has referred with a knowing smile to his or her career in the hush-hush part of the Second World War and the only annoying part of it all is that it is not always possible to find how true the individual claims are.
All of a sudden these people have become known as spies, a term that has a distasteful aspect and programmes about people who fought the enemy through gathering and analyzing vital intelligence are full of disdainful verbal grimaces.
Tory Historian once sat through a completely pointless talk, which asked whether Raoul Wallenberg, the one undoubted hero of the Second World War and victim of the other totalitarian state, could have used his position as a Swedish diplomat to supply information to the Allies as well as rescuing Jews in Hungary.
In the end, the speaker had to admit that he had no evidence for any of his speculation. But the question that was left in the mind of the audience, made up as it was from analysts, writers and former practitioners of the intelligence service is why that should be a problem. The war was fought to be won and intelligence was an important weapon.
Now the subject of wartime agents has cropped again in what sounds like a shock-horror story produced by CNN. Apparently, the famed chef Julia Child and Supreme Court Justice Arthur Goldberg
served in an international spy ring managed by the Office of Strategic Services, an early version of the CIA created in World War II by President Franklin Roosevelt.Very interesting, of course, and Tory Historian would like to know a little more about it but there is an objection to the language used, which somehow indicates that there was something underhand and unworthy in all these people becoming “spies”. Why should that be?
The full secret comes out Thursday, all of the names and previously classified files identifying nearly 24,000 spies who formed the first centralized intelligence effort by the United States. The National Archives, which this week released a list of the names found in the records, will make available for the first time all 750,000 pages identifying the vast spy network of military and civilian operatives.
Two books arrived in the post today for review in the Conservative History Journal. Both are published by Politico's, no longer the domain of one Iain Dale, and both are about very recent British political history.
There is Norman Fowler's "A Political Suicide", subtitled "The Conservatives' voyage into the wilderness", a cautionary tale to both the Tories and Gordon Brown's Labour. I have only glanced through it and, thus, cannot tell whether Lord Fowler shoulders any of the blame. Some lucky reviewer can find out and tell the rest of us. Incidentally, I never cease to be amazed by the propensity modern politicians have for keeping diaries that seem to record very little of any interest. (Miaow!)
Secondly, we have "Challenge to Democracy" by Ronald McIntosh, who was the director general of the National Economic Development Council (Neddy) from mid-1973 till 1977. The sub-title of this tome is "Politics, Trade Union Power and Economic Failure in the 1970s" and who would know that better than Mr McIntosh, though I do not suppose he could have done anything.
Well, readers, who would like to review these books for the Conservative History Journal, either the print version or the blog? If you do please e-mail me on szamuely_AT_aol.com.
Being an historian by training and interest (though not, sadly, by employment) I have always found it odd that people should not be interested in history. But it’s about people and what they do and why they do it. How can it not be interesting? The usual reply consists of a list of unrelated and rather dull topics that passes for history these days in schools.
It has been obvious for some time that what excites people is narrative history, which is, presumably, the reason for the popularity enjoyed by popular history books and TV series in the last few years. Of course, as Andrew Roberts pointed out to me in an interview for the Conservative History Journal, this popularity may not last and can be replaced at any time by any other subject.
For all of that, it is clear that there are many people out there who want to know about history and feel cheated by its non-teaching at schools. This influenced Civitas a couple of years ago when it decided to reprint the old children’s classic, “Our Island Story” by H. E. Marshall.
I re-read it in its hardback version and thought it was a pity that the new edition was quite so heavy to pick up, what with thick glossy paper and rather thick cover. It was meant to be for children who would find it difficult to manoeuvre a hefty volume of that kind. This might well have been sorted out in the paperback edition.
There was something of a surprise as I did not remember how much of the history Henrietta Marshall wrote was actually based on literature, most notably, of course, Shakespeare’s plays. There are many quotations from the plays as well as other poetry.
Poetry, of course, is a great incentive for learning history, especially if it is of the more heroic kind and those plays have been inspiring debates for centuries. However, none of that is history in the acceptable sense of the word. It is more a reflection of the way teachers wanted children and young people to see their own national development.
Browsing through some second hand books at a summer fair recently I came across a slim tome I had not heard of before. It is by Peter Mandler, the Cambridge historian and is entitled “History and National Life”, complete with that famous picture of the young Walter Raleigh listening to the stories of an old salt on the cover.
This is an interesting topic and I shall enjoy reading the book and reporting on it, despite the rather poor review by Roger Spalding published in the Institute of Historical Research.
Yet more apologies for a prolonged silence. Other matters have intruded.
Today we should turn our attention to those astonishing people, the scientists and engineers of the late eighteenth and early nineteenth century; the people who made this country truly great.
The reason for that is because August 9 is the anniversary of the birth of Scottish engineer, architect and stonemason, Thomas Telford. The son of a shepherd, who died soon after his birth, he was apprenticed to a stonemason at the age of 14 and was largely self-taught.
The list of his achievements make one feel rather dizzy. He built important roads, canals and bridges in England, Wales and Scotland. He was called the “Colossus of Roads” by his great friend, the poet Southey, one the Lake Poets in his early life and a Poet Laureate later on. Presumably, the idea of two cultures simply did not occur to these people.
When you have read Thomas Telford’s biography have a look at the list of the Men of Science Alive in 1807 - 08, pictured in the group portrait above.
This is a posting that celebrates great people so there will be no moaning and tearing out of hair because these days our universities and firms find it hard to recruit British students who could get anywhere near studying or practising science and engineering.
Tory Historian spent an hour or so last Thursday in the National Portrait Gallery, which is open late on Thursdays and Fridays. On the top floor the small room that is given over to temporary exhibitions on one theme is filled with images of Charles I before his execution, during it and as the glorious martyr afterwards. The exhibition is on till mid-December and is well worth seeing.
The Parliamentarians probably over-reached themselves when they tried, condemned and executed the King, thus turning a problematic and not very popular former ruler into a martyr for all times. (Tory Historian seems to recall talk of the same thing happening with Saddam Hussein after his execution but it has not. That man was beyond simply unpopular – he was hated in a way Charles I was not except by very few.)
There is deliberately very little about Charles and his Scottish wars or disagreements with Parliament or, for that matter, the religious, constitutional and political problems he allowed to grow in the years before the Civil War. Many of the portraits that relate to the period can be seen in the large room devoted to the subject.
The theme in the special exhibition is the fascinating one of propaganda and the way opinion can be swayed. Charles was not a popular king but the notion of raising Parliamentary rebellion may not have appealed to many people either. Still, there had been rebellions before – some successful, some not so much.
The issue here was the trial and execution. Charles was actually put on trial and accused of being “a tyrant, traitor, murderer, and a public and implacable enemy of the commonwealth of England”. This was the shattering new idea that the squires of England, who sat in that Parliament thought of: that the king could be tried because there was a law and a constitutional order that was superior to him.
New ideas are not necessarily popular and this one was not, followed as it was by King Charles’s apparently noble martyrdom during trial and at the execution. The subsequent oppressive rule by Parliament did not endear the cause to people and the Royalists profited by it.
Etchings and woodcuts of Charles’s execution, real and imaginary, were widely available, though their production and distribution was actually banned in the country. They were brought in from the Continent, many, interestingly enough, from Holland, a country that had only recently emerged from its own war against the King of Spain.
As the notes to the exhibition say:
Royalist propaganda avoided difficult political and constitutional issues and focused attention on a sympathetic image of a devoted king suffering for his people.After the Restoration King Charles was made into a martyr, the only Anglican one, but his name was removed from the Common Prayer Book in 1859. As the more personal fascination with the King-Martyr receded there was a greater historical interest in the whole period of the Civil War and even what was then known as the Commonwealth.
There is a fascinating aspect to this, which the exhibition curators touch on briefly. Somehow, out of that situation the concept of England, the monarchy that is controlled by the constitution and a Parliament that may be bound in some ways theoretically by royal privilege but is, in fact, the ultimate law-giver. Well, that was true until 1972 when said Parliament introduced legislation that made a different body’s laws superior. Time for another John Hampden, perhaps.
Once again apologies for light posting. Other preoccupations, including dental appointments have been eating into time. Matters will improve. Well they can scarcely get worse.
In the meantime there is only about 30 minutes left to remember the birthday in 1866 of one of the most delightful children's writers, Beatrix Potter. There can be no question but that what she wrote was masterful conservative tracts encased in easily understood stories with enchanting illustrations. Anyone who thinks otherwise should compare the lives of Benjamin Bunny and Peter Rabbit or find out what nearly happened to silly Jemima Puddleduck who was saved in time by the wise and traditionally minded dog, Shep.
Tory Historian was once wandering round the National Portrait Gallery - the theme of tomorrow's blog - on a quiet day when the keeper of the Early Twentieth Century Gallery was predisposed to chat. He was eloquent in his admiration for Beatrix Potter and compared her very favourably with all the swaggering First World War generals and officers.
Tory Historian is back in harness after a gap when time had to be devoted to a serious piece of work. An interesting anniversary needs to be noted. As Historic-UK.com points out for July 22, on this day in 1946 bread rationing was introduced in Britain, more than a year after the war ended. Unlike other European countries, this one managed to get through the six years of war without bread rationing and a year after the end it was introduced. How is one to explain this/
The website says rather blandly: "The shortage is blamed upon a poor harvest and drought." Hmm. Not on the socialist government that was in charge of the country?
This is not an anniversary any conservative can relish but neither can any historian ignore the beignning of the French Revolution, an event that changed the history of Western Europe and, in its wake, probably most of the world, whether for better of worse, we can argue about.
As the complete quotation from "A Tale of Two Cities" sums up:
It was the best of times, it was the worst of times; it ws the age of wisdom, it was the age of foolishness; it was the epoch of belief, it was the epoch of incredulity; it was the season of Light, it was the season of Darkness; it was the spring of hope, it was the winter of despair; we had everything before us, we had nothing before us; we were all going directly to Heaven, weAnd, of course, one cannot do without yet another completely anachronistic and inaccurate picture of the storming of the Bastille.
were all going the other way.
Tory Historian has something of an interest in popular and children's literature of the past and never ceases to marvel at the high quality of writing. Take Sexton Blake, the Sherlock Holmes for the masses (though, let's face it, Holmes was very popular, as well). As this website rightly says, Blake was a publishing phenomenon for most of the twentieth century.
He was quite clearly a more exciting imitation of Sherlock Holmes, what with living in Baker Street and having a housekeeper called Mrs Bardell (a touch of Dickens there) and that assistant, Tinker, who starts off as a young lad but grows up and drives cars and flies aeroplanes. The adventures are truly bad - Blake is always described as being incredibly brilliant, much ahead of anyone in the world in his ability to think and understand but invariably finds themselves in messy situations almost anyone could have foreseen. But the escapes are always exciting. One can quite see why the short stories and books are so popular.
Tory Historian has just acquired a 1960 edition of a 1920 story, complete with typical 1960s cover of a really bad and irrelevant photograph. What was it about paperback publishers of those years that made them go for that rubbish by way of cover illustration?
The novel was called "The Mystery Box" in the first place and "The Case of the Bismarck Memoirs" in the reprint. What struck Tory Historian is the language of this book that was aimed at the popular market. Would any really popular writer (and I don't mean Booker Prize winners) nowadays get away with writing like this:
Blake nodded and continued his examination. The discovery of the ecutcheon and the coat of arms had stimulated his interest:ut rather suggested that the unknown person who had once owned this flask was connected with some honoured and titled family. The flask itself was too exquisitely designed and the engraving too costly for it to have been bought at an ordinary shop; it had no doubt been specially designed bor the person whose initials it bore: or he may have received it as a present.Let us not forget that very many, if not the majority of the readers of Sexton Blake's adventures were children and teenagers or as they were referred to disdainfully by the snobbier literary elements, office boys.
Colin Jones in his book, “Paris – Biography of a City”, already mentioned once by Tory Historian, describes an interesting example of a misunderstanding arising from best intentions.
By 1814 Napoleon had become largely unpopular in Paris (and probably in the rest of the country), not least because of the constant economic crisis, caused partly by the strict control he imposed on such things as bread prices and tried to impose on British imports and partly by the expense of his endless military campaign. (The strength of his secret police and the iron control of all publications and organizations did not help either.)
So his first defeat in 1814 caused distress only because for the first time since the seventeenth century Paris was invaded by foreigners. Otherwise, Parisians were not all that bothered by l’Empereur’s exile. Here is where a certain misunderstanding arose, as Professor Jones describes.
When the allied troops had entered Paris for the first time in 1814, many of them wore a white cockade to signify their peaceful intentions towards Parisians. Thinking that they would show the invaders their appreciation for this gesture, many Parisians wore the white cockade in return. However, Bourbon sympathizers among the troops imagined that by wearing these cockades, the Parisians were showing their undying support for the Bourbon cause (white being the monarchy’s ceremonial colour). This misunderstanding led the allies to imagine that Paris was massively pro-Bourbon and pro-Restoration. The years after 1815 would show how wrong this was. Indeed the regimes which followed Napoleon produced a nostalgia for his rule which his rule had done relatively little to justify.In the first place, Parisians were not all that bothered by the Bourbons’ escape upon hearing Napoleon’s return from Elbe, as Louis XVIII and his family had not exactly endeared themselves to the people of the city. However, Napoleon proceeded to antagonize them by not having the time or inclination – he was fighting for his survival, after all – to solve the economic crisis and by showing his distrust of the people in refusing to arm them. Anyone who had lived through the revolutionary years would have been wary of the nightmare of another possible sans-culotte anarchy.
As to the unjustified nostalgia, it is certainly there in the colossal structure of the Invalides, in the preposterous Vendôme Column and in the obsession so many French politicians still have with le petit caporal.
... a book that looks extremely interesting: "Between the Thin Blue Lines", edited by Jean M. Lucas. It is a story of the rise, powerful presence and gradual decline of the Conservative Party Agents. Not only do I intend to read it immediately but I shall be looking for someone to review it for the Conservative History Journal.
In the meantime, the book is published by Trafford Publishing, a Canadian firm, and is available in Britain from Miss Lucas herself (jeanlucas_AT_uwclub.net).
When in the Course of human events it becomes necessary for one people to dissolve the political bands which have connected them with another and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.
We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. — That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, — That whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it, and to institute new Government, laying its foundation on such principles and organizing its powers in such form, as to them shall seem most likely to effect their Safety and Happiness.
This question has been exercising various people's minds ever since it has been decreed by the literary powers that be that Buchan is rather an inferior writer. There is no explanation why people still enjoy reading him and why his books keep being reprinted but that sort of thing does not bother the powers that be.
Tory Historian is a Buchan fan as has been explained before. Tory Historian is also a fan of Gertrude Himmelfarb's the redoubtable historian of political, social and liteary ideas. (She is also the sister of Milton Himmelfarb, wife of Irving Kristol and mother of William Kristol. What on earth did all these people have on their cornflakes? A remarkable family.)
The point is that Gertrude Himmelfarb has written a fascinating essay on John Buchan. Published in "Victorian Minds" in 1968 as "John Buchan - the Last Victorian", it was reprinted in 2006 in "The Moral Imagination" as "John Buchan: an Untimely Appreciation". It is an interesting and well-argued essay even if Tory Historian does not agree with everything in it.
Naturally enough, the question of anti-semitism comes up (just after the question of racism, a slightly more complex issue) and, on the whole, Professor Himmelfarb finds that though there is a certain amount of passive anti-semitism in the novels, as was common in those halcyon pre-Nazi days, Jews are not necessarily the villains and, anyway, there are various extenuating circumstances.
There were, in fact, Jewish rag dealers and pawnbrokers, Jewish Communists and financiers in England at the time, an England that was far more ethnically homogenous than it is now.There were, as it happens, Jewish other things as well and there is no particular reason why Buchan should not put them into his novels or, occasionally make Jews into villains or describe people who dislike Jews. His novels are considerably less anti-semitic than those of the much-praised Dorothy L. Sayers.
Besides, as Professor Himmelfarb points out, Buchan publicly denounced Hitler's anti-semitism as early as 1934, publicly espoused Zionism and spoke of the "racial similarities of Scotsmen and Jews, with particular reference to their high regard for learning". No higher praise could have come from a man like Buchan.
The occasion on which he made those last comments was a ceremony on which his name was inscribed in the Golden Book of the Jewish National Fund. According to Professor Himmelfarb, "it is tempting to remark upon the irony of the fact" that this should have happened to "the fictional perpetrator of Jewish-capitalist-communist conspiracies".
Tory Historian was a little puzzled. Just which novel had those conspiracies? Not "Huntingtower" where the evil Bolshevik leader is a former tsarist officer. Not the books of the Great War where the villains are, obviously, Germans. Not in any of the Edward Leithen novels. Where then?
Yet it is disconcerting to find that the plot of one of his most successful novels, Thirty-Nine Steps (1915), centers [sic] upon an international conspiracy devised by Jewish anarchists and Jewish financiers led by a "little white-faced Jew in a bath-chair with an eye like a rattlesnake" who is avenging himslef for centuries of persecution.Well, that's pretty shocking. Or would be if it were true. Sadly, that is not the plot of "The Thirty-Nine Steps". (It is possible that the American editions omit the definite article, so I shall not hold it against Professor Himmelfarb.)
That quotation from the first chapter is part of the rant delivered by the mysterious agent Scudder, who is promptly murdered in Hannay's flat, encouraging the latter to escape to Scotland. When Hannay eventually deciphers Scudder's notebook, he finds that most of what he had been told that first evening was bosh and subsequently, Sir Walter Bullivant, who appears to be head of whatever secret service there is around, explains that Scudder was a good agent but a little peculiar in his ways. In particular, he had a Jew fixation, something that Bullivant dismisses, while acknowledging that the man got his facts right.
The plot, as it happens revolves round a German spy-ring, eventually arrested with Hannay's help, though, as we find out in "Mr Standfast", the worst of the gang escapes to create many problems in that novel. No, he is not a Jew, either. His name is Graf von Schwabing and he is a real bad hat.
All of which goes to show that even renowned professors should check their facts before writing essays.
Not one, not two but three books on the go. One was lent Tory Historian by a friend in Paris, whence the book bag came back with more volumes in it than it had departed with. It is a collection of essays by Christopher Hitchens, erstwhile left-wing and now rather right-wing though not precisely conservative scourge of all and sundry.
Entitled "Love, Poverty and War", it is well worth reading for the evisceration of Michael Moore if nothing else. But, as it happens there are numerous fascinating pieces, not least on Winston Churchill, Rudyard Kipling, Aldous Huxley, Evelyn Waugh, David Irving and Mel Gibson. Sometimes Hitchens goes strangely astray in making serious errors of omission and commission. But mostly it is pure unadulterated intellectual joy. Not for those with weak nerves.
For serious reading there is Mitzi Auchterlonie's "Conservative Suffragists", a seriously underrated subject so far. In general, not enough has been written about women in the Conservative Party and on that side of the political divide, though in many ways they achieved more than their much-trumpeted colleagues on the left. This book should balance matters out somewhat. There will be another posting about it.
Finally, a book acquired today: "The Letters of Julian Maclaren-Ross", launched, very appropriately, in the upstairs bar of the Wheasheaf pub in North Soho (and no, there is no such place as NoHo in London). The whole event was organized by the excellent Sohemian Society, one that all conservatives, liberal conservatives and, dare one say it, libertarians should pay attention to.
Fans of Anthony Powell will recall that Julian Maclaren-Ross, who appears a good deal in Powell's memoirs, was also the inspiration for X. Trapnel in the last trilogy of the "Dance to the Music of Time".
Links
Followers
Labels
- 1922 Committee (1)
- abolition of slave trade (1)
- Abraham Lincoln (2)
- academics (2)
- Adam Smith (2)
- advertising (1)
- Agatha Christie (4)
- American history (33)
- ancient history (4)
- Anglo-Boer Wars (1)
- Anglo-Dutch wars (1)
- Anglo-French Entente (1)
- Anglo-Russian Convention (2)
- Anglosphere (19)
- anniversaries (175)
- Anthony Price (1)
- archaelogy (8)
- architecture (8)
- archives (3)
- Argentina (1)
- Ariadne Tyrkova-Williams (1)
- art (14)
- Arthur Ransome (1)
- arts funding (1)
- Attlee (2)
- Australia (1)
- Ayn Rand (1)
- Baroness Park of Monmouth (1)
- battles (11)
- BBC (5)
- Beatrice Hastings (1)
- Bible (3)
- Bill of Rights (1)
- biography (21)
- birthdays (11)
- blogs (10)
- book reviews (8)
- books (78)
- bred and circuses (1)
- British Empire (7)
- British history (1)
- British Library (9)
- British Museum (4)
- buildings (1)
- businesses (1)
- calendars (1)
- Canada (2)
- Canning (1)
- Castlereagh (2)
- cats (1)
- censorship (1)
- Charles Dickens (3)
- Charles I (1)
- Chesterton (1)
- CHG meetings (9)
- children's books (2)
- China (2)
- Chips Channon (4)
- Christianity (1)
- Christmas (1)
- cities (1)
- City of London (2)
- Civil War (6)
- coalitions (2)
- coffee (1)
- coffee-houses (1)
- Commonwealth (1)
- Communism (15)
- compensations (1)
- Conan Doyle (5)
- conservatism (24)
- Conservative Government (1)
- Conservative historians (4)
- Conservative History Group (10)
- Conservative History Journal (23)
- Conservative Party (25)
- Conservative Party Archives (1)
- Conservative politicians (22)
- Conservative suffragists (5)
- constitution (1)
- cookery (5)
- counterfactualism (1)
- country sports (1)
- cultural propaganda (1)
- culture wars (1)
- Curzon (3)
- Daniel Defoe (2)
- Denmark (1)
- detective fiction (31)
- detectives (19)
- diaries (7)
- dictionaries (1)
- diplomacy (2)
- Disraeli (12)
- documents (1)
- Dorothy L. Sayers (5)
- Dorothy Sayers (5)
- Dostoyevsky (1)
- Duke of Edinburgh (1)
- Duke of Wellington (14)
- East Germany (1)
- Eastern Question (1)
- economic history (1)
- Economist (2)
- economists (2)
- Edmund Burke (7)
- education (3)
- Edward Heath (2)
- elections (5)
- Eliza Acton (1)
- engineering (3)
- English history (56)
- English literature (34)
- enlightenment (3)
- enterprise (1)
- Eric Ambler (1)
- espionage (2)
- European history (4)
- Evelyn Waugh (1)
- events (22)
- exhibitions (12)
- Falklands (3)
- fascism (1)
- festivals (2)
- films (13)
- food (7)
- foreign policy (3)
- foreign secretaries (2)
- fourth plinth (1)
- France (1)
- Frederick Burnaby (1)
- French history (3)
- French Revolution (1)
- French wars (1)
- funerals (2)
- gardeners (1)
- gardens (3)
- general (17)
- general history (1)
- Geoffrey Howe (2)
- George Orwell (2)
- Georgians (3)
- German history (3)
- Germany (1)
- Gertrude Himmelfarb (1)
- Gibraltar (2)
- Gladstone (2)
- Gordon Riots (1)
- Great Fire of London (1)
- Great Game (4)
- grievances (1)
- Guildhall Library (1)
- Gunpowder Plot (3)
- H. H. Asquith (1)
- Habsbugs (1)
- Hanoverians (1)
- Harold Macmillan (1)
- Hatfield House (1)
- Hayek (1)
- Hilaire Belloc (1)
- historians (38)
- historic portraits (6)
- historical dates (10)
- historical fiction (1)
- historiography (5)
- history (3)
- history of science (2)
- history teaching (8)
- History Today (12)
- history writing (1)
- hoaxes (1)
- Holocaust (1)
- House of Commons (10)
- House of Lords (1)
- Human Rights Act (1)
- Hungary (1)
- Ian Gow (1)
- India (2)
- Intelligence (1)
- IRA (2)
- Irish history (1)
- Isabella Beeton (1)
- Isambard Kingdom Brunel (1)
- Italy (1)
- Jane Austen (1)
- Jill Paton Walsh (1)
- John Buchan (4)
- John Constable (1)
- John Dickson Carr (1)
- John Wycliffe (1)
- Jonathan Swift (1)
- Josephine Tey (1)
- journalists (2)
- journals (2)
- jubilee (1)
- Judaism (1)
- Jules Verne (1)
- Kenneth Minogue (1)
- Korean War (2)
- Labour government (1)
- Labour Party (1)
- Lady Knightley of Fawsley (2)
- Leeds (1)
- legislation (1)
- Leicester (1)
- libel cases (1)
- Liberal-Democrat History Group (1)
- liberalism (2)
- Liberals (1)
- libraries (6)
- literary criticism (2)
- literary magazines (1)
- literature (7)
- local history (2)
- London (14)
- Londonderry family (1)
- Lord Acton (2)
- Lord Alfred Douglas (1)
- Lord Hailsham (1)
- Lord Leighton (1)
- Lord Randolph Churchill (3)
- Lutyens (1)
- magazines (3)
- Magna Carta (7)
- manuscripts (1)
- maps (9)
- Margaret Thatcher (21)
- media (2)
- memoirs (1)
- memorials (3)
- migration (1)
- military careers (1)
- monarchy (12)
- Munich (1)
- Museum of London (1)
- museums (5)
- music (7)
- musicals (1)
- Muslims (1)
- mythology (1)
- Napoleon (3)
- national emblems (1)
- National Portrait Gallery (2)
- nationalism (1)
- naval battles (3)
- Nazi-Soviet Pact (1)
- Nelson Mandela (1)
- Neville Chamberlain (2)
- newsreels (1)
- Norman conquest (1)
- Norman Tebbit (1)
- obituaries (25)
- Oliver Cromwell (1)
- Open House (1)
- operetta (1)
- Oxford (1)
- Palmerston (1)
- Papacy (1)
- Parliament (3)
- Peter the Great (1)
- philosophers (2)
- photography (3)
- poetry (5)
- poets (6)
- Poland (3)
- political thought (8)
- politicians (4)
- popular literature (3)
- portraits (7)
- posters (1)
- President Eisenhower (1)
- prime ministers (27)
- Primrose League (4)
- Princess Lieven (2)
- prizes (3)
- propaganda (8)
- property (3)
- publishing (2)
- Queen Elizabeth II (5)
- Queen Victoria (1)
- quotations (31)
- Regency (2)
- religion (2)
- Richard III (6)
- Robert Peel (1)
- Roman Britain (3)
- Ronald Reagan (4)
- Royal Academy (1)
- royalty (9)
- Rudyard Kipling (1)
- Russia (10)
- Russian history (2)
- Russian literature (1)
- saints (7)
- Salisbury (6)
- Samuel Johnson (1)
- Samuel Pepys (1)
- satire (1)
- scientists (1)
- Scotland (1)
- sensational fiction (1)
- Shakespeare (16)
- shipping (1)
- Sir Alec Douglas-Home (1)
- Sir Charles Napier (1)
- Sir Harold Nicolson (6)
- Sir Laurence Olivier (1)
- Sir Robert Peel (3)
- Sir William Burrell (1)
- Sir Winston Churchill (17)
- social history (2)
- socialism (2)
- Soviet Union (6)
- Spectator (1)
- sport (1)
- spy thrillers (1)
- St George (1)
- St Paul's Cathedral (1)
- Stain (1)
- Stalin (3)
- Stanhope (1)
- statues (4)
- Stuarts (3)
- suffragettes (3)
- Tate Britain (2)
- terrorism (4)
- theatre (4)
- Theresa May (1)
- thirties (2)
- Tibet (1)
- TLS (1)
- Tocqueville (1)
- Tony Benn (1)
- Tories (1)
- trade (1)
- treaties (1)
- Tudors (2)
- Tuesday Night Blogs (1)
- Turkey (3)
- Turner (2)
- TV dramatization (1)
- twentieth century (2)
- UN (1)
- utopianism (1)
- Versailles Treaty (1)
- veterans (2)
- Victorians (13)
- War of Independence (1)
- Wars of the Roses (1)
- Waterloo (5)
- websites (7)
- welfare (1)
- Whigs (4)
- William III (1)
- William Pitt the Younger (4)
- women (11)
- World War I (20)
- World War II (54)
- WWII (1)
- Xenophon (1)