Martin Edwards's book that is undoubtedly seminal in the study of detective fiction, The Golden Age of Murder, is proving to be as fascinating as it is important. Yes, TH managed to borrow a copy from London Library within two weeks of publication. There is already a queue forming for it among that august institution's members but returning it in time will not be a problem.
Actually, the book needs a proper long review and it shall be done but first, an interesting point analyzed by Mr Edwards and that is the concept of "justified murder" in the writings of the Golden Age authors. It was Julian Symons who was largely responsible for the literary assumption that traditional detective fiction was somehow inferior to the more recent crime books, not least in its social and political conservatism and refusal to look beyond accepted norms in life and writing. (This is a rough and not entirely fair summary but then Symons was not entirely fair to many of the writers he had analyzed.)
There have, of course, been critics who have shown that view to be nonsensical but, unfortunately, the more popular books on the subject, including, sad to say, one by the late, lamented Baroness James, have stuck to a limited view, which ignored most of the writers of the period and a good many books and themes.
The Golden Age of Murder is a study of the Detection Club and its members about whom Mr Edwards has unearthed an astonishing amount of information as well as a study of their writings, which are, as anyone who has bothered to read at all widely knows, considerably more complex and varied in attitude than popular opinion would have it.
So we come to "justified murder", theoretically an anathema to detective fiction writers but a surprisingly frequent theme. It is inevitable that people who spend a lot of time thinking and writing about crime, especially murder, who are also fascinated by real-life crime, especially the unsolved or dubious cases, should sooner or later turn to the question of whether murder can ever be justified. In addition, the mid and late thirties saw the growth and strengthening of extremely unpleasant dictators and the appearance of would-be dictators in other countries, even Britain.
Then again, as this blog has pointed out before, a true conservative would dislike those dictators, real or tin-pot as radical, statist and socialist but that gets us on to the "are fascists right-wing?" discussion, which will, undoubtedly come up again.
Hitler and Mussolini came to power or held on to power through revolutionary means (despite those elections in Germany in 1932 and 1933), changing the political and constitutional structures of their countries as well as attempting to change the social ones. In this they did not succeed nearly as well as their contemporary Joseph Stalin did but none of them can be called conservative or reactionary. By the time Dictator's Way was written (late 1937 or early 1938 as the book came out in 1938) Mosley had put himself outside the political establishment and the couple of disdainful references to him in the book sum up quite well the general attitude towards him. The Labour Party and the trade unions, on the other hand, were by this time an integral part of that establishment and it was hardly radical to support them.Was the murder of such a person justified? Debates about tyrannicide go back a long way and many people thought that the killing of, say, Hitler would bring much good to the world. Would the killing of a Mosley-like figure do the same? That depended, largely, on how dangerous one thought the man to be and by the end of the thirties it became obvious that unpleasant posturers though they were, the British Union of Fascists were not really a threat. (Little did they know that the real threat to democracy came from the other lot, the Communist Party of Great Britain and, even more, from the secret agents who worked for the party's paymaster without ever really acknowledging their political allegiance.)
Moving on from there, is the murder of an unpleasant person who is making other people's lives a misery or is simply a wasteful, useless individual (the theme of one novel by Anthony Berkeley) justified? This was not a new idea in the late thirties either. Sherlock Holmes refuses to investigate on murder (he actually knows who the perpetrator is) and lets three other killers go because he sees the crimes in question as more or less justified.
Detection Club members wrestled with the problem in various ways. Gladys Mitchell subscribed to the idea strongly enough to make her detective Beatrice Lestrange Bradley (later Dame Beatrice) a murderer in at least two novels, E. R. Punshon, Margery Allingham and, especially, Anthony Berkeley used the concept in various ways and clearly approved of it, Sayers has Wimsey agonize over it only to come down on the side of law and order or, at least, conventional morality. Christie, so often dismissed by people who have not read her books as the writer of the most predictably "cosy" village murders that end with God being in His heaven and all being well with the world, based three of her best books on the idea that murder can be justified. (No, TH is not going to say which ones as readers should work it out for themselves.)
It was, however, Christie who gave the best answer to anyone who might get too carried off with the notion. Hercule Poirot who in most of his cases refuses to acknowledge that there is such a thing as justified murder, explains at least once why he holds that view. Yes, the world is better off without some people and, quite possibly, it might be a good idea to take the law into one's own hands. But what of the murderer? What will happen to him or her? For once somebody gets away with one "justified" murder and a bad person is destroyed for the good of the rest of humanity or a small part of it will the temptation to repeat that not be too strong? Who is to define precisely the extent to which harmfulness or uselessness deserves death and when will the "justified murderer" become an unhinged serial killer? For good reasons Christie's own "justified murderers" will not be carrying out any more crimes. Neither she nor the other writers who experimented with the idea solved the conundrum but Poirot's objections stand.
In a way Michael Dirda's elegant and delightful little tome On Conan Doyle: Or, The Whole Art of Storytelling is misleading. He pretends to be entirely fair in that he warns his readers: this is not a book about Sherlock Holmes and Dr Watson, it is about Conan Doyle as a storyteller; it is about his other books, a little bit about him and a great deal about the post-Doyle Sherlockian developments, notably about the Baker Street Irregulars, a slightly loopy society of eminent lovers of the canon who "play the game" of elucidating gaps and contradictions. Having issued this warning Mr Dirda can sit back and smile as his disappointed readers find that he has, indeed, been completely fair.
This book is not about Sherlock Holmes, or not exactly about him; nor is it exactly about his fascinating creator; it is more about the effect Conan Doyle has had on his readers, on the literary world and on his faithful followers.
Those who call Conan Doyle the greatest story teller are right. His prose, spare in the more modern stories but with mediaeval and eighteenth century overtones in the historical novels thrown enchantment over the reader from the first line. He had a fine sense of pace, an excellent ear for dialogue and a sense of humour that ranged from sly to slapstick, the latter to be found in some of the stories of medical life and in the Professor Challenger ones.
Michael Dirda is no mean stylist himself. He tells of his youthful discovery of the Holmes stories, of his subsequent investigation of other thrillers and detective tales, of his career as a literary journalist and critic, of his further adventures with Holmes and, finally, his involvement with the Baker Street Irregulars. En route he manages to point out that T. S. Eliot's love and use of matters Holmesian go beyond the obviously villaionous Macavity.
His brief analysis of the Holmes canon and its astonishing hold on people's imagination is excellent though he limits himself to the Anglo-Saxon world, specifically Britain and North America. (I do wish, however, that he had not repeated the nonsense about Holmes wearing Inverness capes and deerstalkers in London.)
Dirda is less fond of the rest of Doyle's output though Professor Challenger is obviously a favourite and he is good on the supernatural tales and has some interesting ideas about White Company, which Conan Doyle valued very highly.
The highlight of the book is his account of the Baker Street Irregulars, their book collecting habits and fantastic discussions of likely and unlikely events in the lives of Holmes and Watson as well as their real and fictional contemporaries. Dirda'a own articel about Langdale Pike, a briefly mentioned character in one of the weakest stories of the Casebook, The Three Gables, which includes an hitherto unknown "Case for Langdale Pike" is joyously funny though one needs to read it in full in Canadian Holmes: The Journal of the Bootmakers of Toronto. Yes, I think that is real and there are good reasons why the Holmesians of Toronto should be called The Bootmakers.
On Conan Doyle is not an introduction to the life and works of Sir Arthur or the Sherlock Holmes stories and novels but a delightful long essay for those who already know and love the master and his output but would like to read a highly knowledgeable person's opinions.
However, John Dickson Carr shows that, in his own way Conan Doyle was a proto-Anglospherist, something that we know from a story that he does not like for reasons TH fails to understand, The Adventure of the Noble Bachelor.
Conan Doyle spent some time in South Africa during the earlier stages of the Boer War, working in a private hospital, treating soldiers who were suffering from the dreadful emetic fever. On his return, he wrote a history of the war up to 1901 and made some trenchant suggestions as to necessary army reforms. Lord Roberts agreed with him but, as Carr says, none of the "military experts" did. Infantry taking cover? Cavalry abandoning swords and lances in favour of guns? Pshaw. What is this "amateur" trying to achieve? Survival and victory? Eventually, of course, all his suggestions were adopted.
In the 1900 election he fought the Edinburgh Central Division constituency and gathered a very respectable vote, considerably reducing the Radical majority. Among all his many other activities he turned his attention to the subject of Anglo-American relations:
As the year drew to a close, he settled down to write a short essay that is almost startling in its prophecy. Entitled An Anglo-American Reunion, it consisted of a trenchant plea for a much closer understanding between the two nations, and he coupled that plea with the warning that, unless this essential relationship was brought about by good will, then it might be forced into existence in some future time as a measure of self preservation against an eventual threat from Russia.This was an interesting take on the subject. This was not the first time Conan Doyle wrote about the closeness between the two countries that was, to him, as real as it was hidden to many on both sides of the Atlantic who looked at immediate developments only. In this 2007 essay on the whole subject of the Anglospere Christopher Hitchens quoted something the great write had said in Detroit in 1895 at the height of anti-British agitation in the United States because of a British-Venezuelan border dispute:
You Americans have lived up to now within your own palings, and know nothing of the real world outside. But now your land is filled up, and you will be compelled to mix more with the other nations. When you do so you will find that there is only one which can at all understand your ways and your aspirations, or will have the least sympathy. That is the mother country which you are now so fond of insulting. She is an Empire, and you will soon be an Empire also, and only then will you understand each other, and you will realize that you have only one real friend in the world.These words must have seemed very strange at the time; they have been proved correct since many times.
Dickens's novel of the Industrial Revolution, Hard Times, has much to recommend it, but it does not give as true and real a picture as Mrs Gaskell's North and South, the best book on the subject in Tory Historian's opinion and published in exactly the same year as Dickens's novel. Incidentally, neither of those writers was over-impressed by the nascent trade union movement.
Let us move on to the subject of clerks. Who can forget Dickens's miserable, downtrodden clerks who never seem to think of getting another job? Sometimes they break out and become rather eccentric, at other times they become positively villainous. Either way, being a clerk is a terrible fate that ought not to befall anyone.
It is, of course, a fate that befell many and, curiously enough, few people considered it to be the lowest pit of misery. Indeed, it was seen as a good steady employment for many young men who wished to rise in business, earn enough money to marry and have a home. Before that, it was a good steady job for young men who simply wanted to earn money and have a good time. At least three of Jerome K. Jerome's men in a boat and, subsequently, on a bummel are clerks. Mr Pooter is a clerk and so is his son, Lupin, who will go far, having started as a clerk.
Another writer who admired clerks and, generally, people who worked for their living, even women who were acquiring jobs and careers in the 1880s and 1890s was Sir Arthur Conan Doyle. Tory Historian has been re-reading the Sherlock Holmes short stories, has finished The Adventures of Sherlock Holmes and has gone on to The Memoirs, while attempting to keep some sort of track of the dates in which the various stories take place.
The Stockbroker's Clerk was published in the Strand Magazine in 1893 and takes place in 1889, about three months after Dr Watson's marriage. There seems to be some discrepancy as to whether the good doctor continued to visit Holmes regularly after his marriage or stayed away for months on end, working to build up his new practice and happy in his marriage. Some stories say that he was busy and happy but still found time for his old comrade, others imply that the two rarely saw each other. There are further discrepancies as to whether Holmes ever visited the young married couple. Sometimes Dr Watson asserts that nothing would drag Holmes out of his rooms except a case and certainly not the sight of a happy marriage; at other times the story begins with him arriving on the Watsons' doorstep. This is one of them.
TH is not linking to a Wiki account of the story because that is definitely not something that is done. One must not reveal such matters. Suffice it to say that the plot is one used before though with important differences in The Red-Headed League and was to be used again The Three Garridebs. Oh and there were seven illustrations by Sidney Paget, one of which can be seen above.
What struck TH, however, is Doyle's or rather Watson's favourable and very typical description of the young clerk who comes to Holmes for assistance.
The man whom I found myself facing was a well-built, fresh-complexioned young fellow with a frank, honest face and a slight, crisp, yellow moustache. He wore a very shiny top-hat and a neat suit of sober black, which made him look what he was - a smart young City man, of the class who have been labelled Cockneys, but who give us our crack Volunteer regiments, and who turn out more fine athletes and sportsmen than any body of men in these islands.Come to think of it, Dickens would not have liked the crack Volunteer regiments or the fine athletes either.
Tory Historian returns after a short absence (caused by technical difficulties, now resolved) with news of a great man's birthday. Sir Arthur Conan Doyle, writer, historian, and real-life detective was born on May 22, 1859 in Edinburgh, a city that, in many ways, shaped his thinking and imagination. Often the descriptions of London in the Sherlock Holmes stories seem to be a little too small for what was by then a teeming metropolis but give a good impression of the Scottish capital.
Sir Arthur's biography is very well worth reading - he was a man of many talents and wide interests, which sometimes led him into difficulties such as the infamous case of those fairies in the photographs taken by two girls who many years later admitted to faking them.
Somehow that silly story does not seem as important as, for instance, Conan Doyle's own detective work that defended two outsiders, George Edalji and Oscar Slater, proving their innocence.
Above all, there are the great literary works. Conan Doyle's historical novels are not as widely read as they deserve to be or as he would have liked but is there anybody in the world who has not heard of Sherlock Holmes and Dr Watson even though much of what people know is wrong and most of the quotations are incorrect. (Though the one about the curious behaviour of the dog in the night is correct. It is in Silver Blaze, an excellent story.) The picture Tory Historian has selcted is that of Peter Cushing and Nigel Stock from a remarkably good TV series of the late sixties. Nigel Stock had also played Dr Watson with Douglas Wilmer. Much as Tory Historian likes Michael Williams in the radio adaptations of the stories, Nigel Stock remains unrivalled.
But let us not forget another great character created by Sir Arthur Conan Doyle and that is the heavily bearded, irascible scientist, Professor Challenger, hero of The Lost World and several other tales. The picture shows Wallace Beery as the professor in the 1925 film of the book.
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