Tory Historian is, understandably, fond of historical mysteries, which term does not refer to the perennial question of who, if anyone, killed the Countess of Leicester, but detective stories written in modern times about older times. One of the curious developments in the detective story genre has been the ever growing number of mysteries that feature real or imagined figures from the past who solve various crimes. We can only assume that detective story writers, as opposed to crime story or thriller writers, have found it difficult to keep up with modern police technology or, maybe, decided that much of that is rather dull. On the other hand, it is hard to imagine too many brilliant amateurs on the job these days.
There are advantages to placing one’s detective story in the past – the need to keep up with the latest police methods, political developments, institutional changes and suchlike boring nonsense disappears. There are also disadvantages – the story and the characters do have to be credible and a good understanding of the period is required.
Critics of detective stories these days are rarely knowledgeable bods as the genre is considered to be too lowly to be given to anyone but some junior literary aspirant. Therefore, the most ridiculously impossible historical mysteries are applauded because they have a few seemingly knowledgeable references to olden days.
David Dickinson, for instance, seems to be highly regarded by the fraternity and sorority of critics. Yet the one novel in the series about Lord Francis Powerscourt Tory Historian managed to struggle through, Death of an Old Master, was full of the most appalling errors, both factual and thematic.
Lord Francis goes to his club to read newspapers and journals that were not published till years later, for instance; there is a constant muddle with titles, something that a novelist whose hero is a rich aristocrat should get right; in one scene Lord Francis comes home to his house in St James’s Square and is described as taking off his coat while his wife comes running out to tell him some important news. Does this rich aristocratic family not have footmen? Apparently not. Neither do they seem to have a nanny for their children or a green baize door between the family and the servants. In fact, they lead the life of a suburban family from the 1950s. The book went straight back to a charity shop.
However, Tory Historian was pleased to find another historical mystery series about the Georgian apothecary, John Rawlings and the great jurist and investigator Sir John Fielding.
There is another series in existence about Fielding by Alexander Bruce (real name Bruce Alexander Cook) and it might be a good idea to try one of those. In the meantime, there is Deryn Lake’s series and, in particular, Death at St James’s Palace, in which John Fielding is knighted. In other words, it takes place in 1761.
In parenthesis, one should note that though British detective story writers love historic themes, it is Americans who often make famous English people into detectives. Both the above writers are American, as was Lillian de la Torre who made Dr Johnson into a detective. Then there is Stephanie Barron, who has written a whole series about Jane Austen detecting, presumably as a sort of Regency Miss Marple.
Death at St James’s Palace comes reasonably highly recommended. Lindsey Davis praises the series in words that make one doubt she has read any of the books; the Yorkshire Post informs us that “Lake brings eighteenth century England to life in a colourful style …. Georgette Heyer …. but with the knickers off”. As usual, one wonders what is missing from that quotation. But knickers off? Ahem, they did not wear knickers in the eighteenth century. Presumably, this means that there is more sex in Deryn Lake’s series. Tory Historian suspects that the author of those words had not read Ms Heyer’s books.
Nevertheless, Ms Lake is described as the Queen of Georgian Mysteries and Maxim Jakubowski, himself a writer, editor, critic and quondam owner of the sadly missed Murder One bookshop, writes that this series is “meticulously researched”.
Well, Tory Historian has to disagree with the great Mr Jakubowski. Death at St James’s Palace is “meticulously researched” in the sense that Ms Lake does seem to have read detailed descriptions of what parts of London looked like at the time or what sort of underwear ladies wore. We know she has done this research because she reproduces acres of it in her own book.
When it comes to understanding how people thought or spoke, Ms Lake is sadly at a loss, preferring a twentieth century speech pattern with the odd eighteenth century word thrown in. Not only gentlemen swear in front of ladies, something that the most cursory reading of contemporary literature (or of Ms Heyer’s truly meticulous novels) would have shown to be erroneous, they all use words and expressions that are simply not possible for the period.
Tory Historian very nearly consigned the book to the charity shop bag when a character in it referred to badly behaved boys as a “bunch of hooligans”, hooligan being a word that came into the English language some time in the mid-1890s, 130 years after the events described in Death at St James’s Palace.
For the moment, however, the decision is to persevere, in the hopes that the plot will develop reasonably soon.
Yesterday was the anniversary of the birth of one of the most prolific writers of excellent popular fiction, of which Tory Historian approves, as readers would have realized. Georgette Heyer, whose fan club maintains a very elegant website, was born on August 16, 1902 in Wimbledon, which is somehow appropriate.
She died, an immensely successful author, on July 4, 1974 in London. Known largely for her Regency novels, she also wrote highly amusing, if somewhat ridiculous detective stories, mostly about Superintendent Hannasyde and Sergeant, later Inspector, Hemingway. There were also other historical novels but these are not so well known. (Wikipedia lists them all.)
The Regency novels are highly entertaining and rely on very accurate information that Georgette Heyer collected assiduously. She was clearly influenced by Jane Austen and, while not being as great a writer as the latter, she is considerably better than most authors of historical romances.
The Regency world of Ms Heyer, a slightly higher one socially than that of Miss Austen, is vivid and is never merely a modern world with a few tushes and gadzookses added to them. In fact, there are very few tushes and no gadzookses at all but the details of dress, habit, behaviour, food and so on are accurate as anyone who reads contemporary accounts and diaries can see. Even professional historians have been known to recommend Ms Heyer's romances.
Her detective stories, while mostly very silly and never as popular as the romances, also give a clear picture of the upper middle class and middle class world of England some years before and some years after the Second World War. In her descriptions of post-war England she shows herself to be considerably more accurate than the more highly regarded but hopelessly outdated and nostalgic Margery Allingham and Ngaio Marsh.
Tory Historian finds it particularly admirable that Ms Heyer's dating and time scale in the detective stories is always accurate. To prove this, two novels, which have many of the same characters some years apart, are particularly recommended: "They Found Him Dead", published in 1937 and "Duplicate Death", published in 1951.
Tory Historian has something of an interest in popular and children's literature of the past and never ceases to marvel at the high quality of writing. Take Sexton Blake, the Sherlock Holmes for the masses (though, let's face it, Holmes was very popular, as well). As this website rightly says, Blake was a publishing phenomenon for most of the twentieth century.
He was quite clearly a more exciting imitation of Sherlock Holmes, what with living in Baker Street and having a housekeeper called Mrs Bardell (a touch of Dickens there) and that assistant, Tinker, who starts off as a young lad but grows up and drives cars and flies aeroplanes. The adventures are truly bad - Blake is always described as being incredibly brilliant, much ahead of anyone in the world in his ability to think and understand but invariably finds themselves in messy situations almost anyone could have foreseen. But the escapes are always exciting. One can quite see why the short stories and books are so popular.
Tory Historian has just acquired a 1960 edition of a 1920 story, complete with typical 1960s cover of a really bad and irrelevant photograph. What was it about paperback publishers of those years that made them go for that rubbish by way of cover illustration?
The novel was called "The Mystery Box" in the first place and "The Case of the Bismarck Memoirs" in the reprint. What struck Tory Historian is the language of this book that was aimed at the popular market. Would any really popular writer (and I don't mean Booker Prize winners) nowadays get away with writing like this:
Blake nodded and continued his examination. The discovery of the ecutcheon and the coat of arms had stimulated his interest:ut rather suggested that the unknown person who had once owned this flask was connected with some honoured and titled family. The flask itself was too exquisitely designed and the engraving too costly for it to have been bought at an ordinary shop; it had no doubt been specially designed bor the person whose initials it bore: or he may have received it as a present.Let us not forget that very many, if not the majority of the readers of Sexton Blake's adventures were children and teenagers or as they were referred to disdainfully by the snobbier literary elements, office boys.
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