Conservative History Journal

Tory Historian was once again taking time off and almost missed this extraordinarily witty and touching tribute in the Economist to Bill Millin, the man who piped in the D-Day landing at Sword Beach and who died on August 17, aged 88.

ANY reasonable observer might have thought Bill Millin was unarmed as he jumped off the landing ramp at Sword Beach, in Normandy, on June 6th 1944. Unlike his colleagues, the pale 21-year-old held no rifle in his hands. Of course, in full Highland rig as he was, he had his trusty skean dhu, his little dirk, tucked in his right sock. But that was soon under three feet of water as he waded ashore, a weary soldier still smelling his own vomit from a night in a close boat on a choppy sea, and whose kilt in the freezing water was floating prettily round him like a ballerina’s skirt.

But Mr Millin was not unarmed; far from it. He held his pipes, high over his head at first to keep them from the wet (for while whisky was said to be good for the bag, salt water wasn’t), then cradled in his arms to play. And bagpipes, by long tradition, counted as instruments of war. An English judge had said so after the Scots’ great defeat at Culloden in 1746; a piper was a fighter like the rest, and his music was his weapon. The whining skirl of the pipes had struck dread into the Germans on the Somme, who had called the kilted pipers “Ladies from Hell”. And it raised the hearts and minds of the home side, so much so that when Mr Millin played on June 5th, as the troops left for France past the Isle of Wight and he was standing on the bowsprit just about keeping his balance above the waves getting rougher, the wild cheers of the crowd drowned out the sound of his pipes even to himself.

And so Mr Millin piped through that terrible advance and into Normandy.

Three times therefore he walked up and down at the edge of the sea. He remembered the sand shaking under his feet from mortar fire and the dead bodies rolling in the surf, against his legs. For the rest of the day, whenever required, he played. He piped the advancing troops along the raised road by the Caen canal, seeing the flashes from the rifle of a sniper about 100 yards ahead, noticing only after a minute or so that everyone behind him had hit the deck in the dust. When Lovat had dispatched the sniper, he struck up again. He led the company down the main street of Bénouville playing “Blue Bonnets over the Border”, refusing to run when the commander of 6 Commando urged him to; pipers walked as they played.

He took them across two bridges, one (later renamed the Pegasus Bridge) ringing and banging as shrapnel hit the metal sides, one merely with railings which bullets whistled through: “the longest bridge I ever piped across.” Those two crossings marked their successful rendezvous with the troops who had preceded them. All the way, he learned later, German snipers had had him in their sights but, out of pity for this madman, had not fired. That was their story. Mr Millin himself knew he wasn’t going to die. Piping was too enjoyable, as he had discovered in the Boys’ Brigade band and all through his short army career. And piping protected him.

In the comments to the article there is information about a projected memorial to Billy Millin and his bagpipes at Pegasus Bridge.